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ARCHIVE YOUR UNDERGROUND BEFORE SOMEBODY ELSE EXPLAINS IT

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Wave Farm is doing something underground culture usually forgets to do: saving itself while it is still alive. Its Wave Farm Early Days broadcasts dig back into the organization's original incarnation as free103point9 , the Brooklyn microcasting collective founded in 1997 by Greg Anderson, Violet Hopkins and Tom Roe. The current broadcasts pull from overnight transmissions, live performances at the free103point9 Project Space and the old Dispatch Series. This isn't some university arriving forty years later to reconstruct a dead scene from newspaper clippings. The people and institution connected to that scene kept the tapes. That matters. From 1997 through 2004, free103point9 operated performance spaces in Williamsburg and participated in the American microradio movement, which pushed for tiny independent broadcasters operating outside the giant commercial-radio model. Wave Farm notes that this wider movement helped lead toward the creation of low-power FM ...

THE PEOPLE WHO NEVER EXISTED

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AI Propaganda Meets the AI Backlash Something strange happens when a propaganda machine invents ordinary people at exactly the moment ordinary people are getting sick of artificiality. In Pakistan, a short video circulated ahead of a planned PTI march. Young men and women appeared to warn people against violence, vandalism and blocked roads. Reasonable message. Except the people weren't real. Geo Fact Check concluded the video was AI-generated, pointing to recurring faces and visual defects. What remains unknown is who created or commissioned it. That uncertainty matters. But the technique matters more. This wasn't a fake president or celebrity. It was something subtler: manufactured public opinion. Instead of saying, “The government thinks this,” synthetic media can imply, “people like you think this.” That changes propaganda. You no longer need actors, locations or even willing participants. You can generate a believable group of ordinary citizens who ...

OPEN-SOURCE UFOLOGY: HESSDALEN TURNS ON THE CAMERAS

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There is something almost radical happening in a Norwegian valley tonight. Nobody is asking you to trust an anonymous intelligence official. Nobody is describing an incredible radar track that you aren't allowed to see. Nobody is promising that the really good photograph is classified. Instead, Project Hessdalen is inviting people into the experiment. On September 25, Østfold University College and Project Hessdalen are holding a public Researcher's Night in Hessdalen, Norway—the remote valley associated for decades with recurring reports of unusual luminous phenomena. Project Hessdalen describes itself as a volunteer citizen-science organization whose objective is straightforward: collect high-quality measurements and make the resulting material available to the public. That second part deserves more attention than it gets. Because in modern UFO culture, access to evidence has become almost as interesting as the evidence itself. DON'T TELL US. SHOW US....

LISTEN TO THE UFO STORY BEFORE IT BECAME THE UFO INDUSTRY

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Buried inside the latest government UFO release is something far more interesting than another distant light bouncing across a military video. It is a voice from March 26, 1952 . Captain Edward J. Ruppelt, then helping reorganize the U.S. Air Force investigation of unidentified flying objects, stands before an audience in Boston and spends roughly 65 minutes explaining what the Air Force actually knew, didn't know, and hoped to figure out . The recording was publicly posted September 18, 2026 through the government's PURSUE release program and AARO's archive. That's what makes this fascinating. We're not listening to someone remembering 1952 seventy years later. We're listening to 1952 itself . Ruppelt discusses roughly 800 historical UFO reports reviewed by the Air Force. According to the government's description of the recording, approximately 20 percent remained unexplained after technical analysis . Some came from military personnel, c...

The Mysterious Sound Of Two-Rock

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AI Propaganda Finally Got Good, and Yes, I’ve Been Having Fun With It

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For years, propaganda had a branding problem. It was too stiff, too obvious, too eager to announce itself as Serious Messaging for Important People. Then AI showed up and solved the issue by making propaganda cute, weird, funny, fast, and alarmingly shareable. That’s the real story. Recent reporting and analysis around AI-generated influence campaigns suggest the next phase of persuasion doesn’t always arrive wearing a uniform and carrying a manifesto. Sometimes it shows up as a toy-block parody, a surreal meme, or a slick little piece of visual candy that people pass around because it’s entertaining first and ideological second. That’s not just a media story. That’s a cultural mutation. And frankly, I get the appeal. I’ve been a willing participant in this aesthetic drift myself. Creating AI propaganda art is pretty fun. Not because I’m trying to hypnotize the public into marching toward some glorious synthetic tomorrow, but because the style itself is one of the most exci...

SATURN TAUGHT THIS MAN TO PLAY PIANO

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  Howard Menger, the UFO contactee who brought back a record instead of a moon rock Howard Menger was a New Jersey sign painter who went public in late 1956 with one hell of a résumé: lifelong encounters with beautiful extraterrestrials, telepathy, flying saucers and trips aboard spacecraft. His appearance on Long John Nebel’s legendary WOR radio show helped turn him into one of the strangest celebrities of the original contactee era. But forget the saucer for a moment. Howard Menger said Saturn taught him to play the piano. According to Menger’s 1959 book From Outer Space to You , sometime in 1956 his automobile seemed to steer him toward an isolated cabin. Inside was a man playing extraordinary music on a piano-like instrument. Two blond visitors appeared and introduced the musician as being from Saturn . Menger protested that he couldn't play. The Saturnian essentially told him: sit down anyway. Menger later wrote that he suddenly found himself playing an instrument for t...